The role of feminist art in 20 century Essay Example | Topics and Well Written Essays - 1500 words

The role of feminist artwork in 20 century - sample ExampleIn 1970s the social orientation of the art-process both from the point of view of the content (themes raised by artists in the works of their creativity), and the structure has perceptibly amplified. The most appreciable phenomenon of the middle of 1970s has become feminism in art. So let us consider the role of feminism in the art of the twentieth century.Feminism is a social-political movement, which purpose is granting to women all variety of the civil rights. In a broad sense it is an aspiration to equality of women with men in all spheres of a societys life. In narrow sense feminism is a womens movement, which purpose is elimination of discrimination of women and their equation in the rights with men. Feminism has arisen in the 18th century, but it became oddly active since the abrogate of 1960s. Especially since the late 1960s, whenthe feminist art movement can be said to have emerged, women have been oddly inter ested in what makes them different from males - what makes women artists and their art different from male artists and their art. This has been most prominent in the United States, Britain, and Ger some, although there are numerous precursors to the movement, and it has spread to many other cultures since the 1970s1.The role of a woman art began to be discussed approximately since the first quarter of the nineteenth century, but the most intensive discussion concerns to the end of the nineteenth - to the beginning of the twentieth century. Both in those years and later even just the right to existence of this issue, not speaking about victimization concepts female literature, female creativity, female history etc. had been often called into a question, had been laughed at and denied. The main thing and they believe weighty and demonstrated argument of opponents of using these definitions is the thesis the art can be only good or bad, and no other aspects of consideration and the a nalysis can be. And especially the art cannot be male or female it cannot be divided according to a sexual attribute. The first comprehensive, historical exhibition to examine the planetary foundations and legacy of feminist art, WACK Art and the Feminist Revolution focuses on the crucial period 1965-1980, during which the majority of feminist activism and art-making occurred internationally. The exhibition includes the work of 120 artists from the United States, telephone exchange and Eastern Europe, Latin America, Asia, Canada, Australia, and New Zealand. Comprising work in a broad range of media-including painting, sculpture, photography, film, video, and per diversityance art-the exhibition is organized around themes based on media, geography, ceremonial concerns, collective aesthetic, and political impulses2. In the art of feminist-women there is a destruction of an image of the woman as a gentle, fine, full of love and giving a life essence. Aggression and sexuality of thes e characters with which the author is inevitably identified, causes a shock. Not a fine woman, captivating with her nakedness, but some fury appears in the form of a picture, a photo, installation, a model. It frightens a man, as a viewer by definition is a man. For him she creates. Eros of these Venus does not give a birth of a new life. Not dedication,